Sunday, November 18, 2007

Tim And Eric Awesome Show, Great Job!

On Friday, at the COCA, I had the great pleasure of hearing a talk by Tim Heidecker and Eric Wareheim, the geniuses behind Tom Goes To The Mayor and Tim And Eric Awesome Show, Great Job! (yes, that is the full title of the show). In the future, I'll let you guys know about this kind of stuff in advance, because this show was not to be missed. Both Tom Goes To The Mayor and Tim And Eric Awesome Show, Great Job! are some of the most bizarre and absolutely hilarious programs ever to be allowed on television. Here's an example of a typical Tom Goes To The Mayor plot, from Wikipedia:
Although he has limited experience with dogs (and no dog), Tom is selected by the Mayor to provide a canine matchmaker for Jefferton's yearly holiday Toodle Day, in which all eligible dogs in town are married. After purchasing the "last dog" from the local pet shop (run by Jeff Goldblum), Tom sets about the difficult task of training his new pup to become the Toodleday matchmaker. But the dog-doo hits the fan when Tom's pup is waylaid by an accident, and it's up to Tom to make sure the town's dogs achieve wedded bliss.
Tom Goes To The Mayor at least goes through the motions of a plot, but the live-action Tim And Eric Awesome Show, Great Job! makes no such pretensions, just bouncing back and forth between insane, bizarre sketches, like a hip-hop instructional video that instructs the dancers to "slap your hands" and then to "think about your dad" or the "Beaver Boys", who are obsessed with eating shrimp and drinking white wine. Here's one of my favorite segments:
Tim and Eric are about more than just random absurdism, however. In my opinion, their work constitutes some of the sharpest criticism out there of the vicissitudes of American capitalism. Tim and Eric's America is one wholly empty of any real sort of culture, bland and indistinct, full of meaningless rituals and totally defined by consumerism. The mayor of Tom Goes To The Mayor has his office in a strip mall; the town council meets in a Gulliver's Buffet. Greil Marcus once famously said that Bob Dylan tapped into the "old, weird America" for his work; well, Tim and Eric tap into the "new, weird America". Late night TV commercials, cable access channels, local news shows, all the detritus of late twentieth century American life is captured and criticized in their work. It is not merely absurdist, but Dadaist.

Anywho, I could write a whole article about Tim and Eric as art, but more importantly, they were damn funny in person. They showed some stuff that I hadn't seen before, like their enthusiastic, unprovoked promotions of Shrek The Third, some yet-to-be seen Tim And Eric Awesome Show, Great Job! episodes, and an Absolut Vodka ad featuring wigs, bathrobes and Zach Galifianakis that is absolutely the strangest promotion I have seen for any product, ever. Also, I totally got a picture with Tim!
You can read an interview with Tim and Eric at the Onion AV Club here or visit their website to see some really funny stuff here.

Saturday, November 17, 2007

Subversive Cinema: Len Lye Tourist Commercial



"Len Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction."

I can't imagine seeing this in a theater in 1939 (much less as a commercial)!

-Klax

Thursday, November 15, 2007

Maybe record labels do have a clue?

RCRD LBL may be unfortunately named, but it's a fucking awesome idea. It's essentially an MP3 blog, but it's a partnership of a bunch of cool labels, such as Downtown, Warp, and Dim Mak. All the MP3s are free, and the artists actually get paid. There are already some cool exclusive Bloc Party and JUSTICE MP3s up there, so check it out. I'm officially excited.

Wednesday, November 14, 2007

"Don't Do What Donny Don't Does"

From my buddy over at Reed, ASCAP's new effort to stem illegal downloading, Donny the Downloader:

The centerpiece of The Donny the Downloader Experience curriculum is a multi-media school assembly program featuring fast-paced animated videos starring the misadventures of Donny. Donny is a 14-year old who's tech-savvy, but unaware of the bigger picture of why illegal downloading hurts the same performing artists and songwriters whose music he loves. The program centers on the negative reactions from the other kids and adults in his life who he tries to impress with his access to supposedly "free" music, while demystifying the process of how music is created.

In addition to the animated "Donny" segments, the assembly also features compelling video segments that introduce real-life, 17-year-old aspiring music creator, Sonya Bender. The videos follow Sonya as she meets with music creators, producers and publishers to get an unfiltered perspective on how illegally downloaded music negatively impacts their ability to make a living from being creative. The assembly experience also includes an interactive component, where students perform a special "Donny" skit to help reinforce what they've learned.


Check out the excerpt here, it's totally rad and stupid fresh. For a cogent counterpoint, here's Simian Mobile Disco:

In any case, a very interesting debate.

Tuesday, November 13, 2007

can you still rock out if you can't see?

I've been watching videos of blind guys singing songs and playing guitars for quite a while now (probably a lot longer than I'd like). But, despite how nerdy this is, I've found some pretty interesting things going on. (trends, if you will). It's fascinating to watch a blind man play guitar, or maybe just these blind men, but the way they play guitar seems to be almost fundamentally different from a lot of guitar players who can see. They have a very unpretentious aura to them. I mean, as much as they might be showing off (ahem, all of them, actually), none of them really do all of the trendy things that you typically see an eleven year old kid do whenhe's rocking out on an electric guitar.

Take the blind Reverend Gary Davis, for instance. Here he is playing his super smash hit, "If I Had My Way"

Now aside from how much he's showing off while making sweet, sweet lovin' to that gorgeous guild guitar, you should pay attention to his body language. He hardly moves most of his body. He keeps his head in a pretty steady position and he hardly moves his torso (watch his shoulders for this, he hardly does any swaying). Of course the first time I ever saw this recording I was standing on the dance floor at the House of Blues at Disneyland waiting for Bo Diddley to come on stage, and I clearly remember being struck by the way Davis moves his hand up and down the neck. He seems to have extreme familiarity with the guitar and an innate knowledge of just where his fingers need to go. Now this seems to be particularly impressive, because the good reverend went through a whole slew of guitars in his day. He used to play for money in the streets of New York City until one day he fell asleep on the sidewalk and when he woke up "pretty miss gibson" was gone. So apparently his virtuosic abilities are applicable to any guitar (including twelve string) which makes his abilities even more impressive.

Then we've got good old Arthel "Doc" Watson. Here he is playing "Southbound" at the 1988 Philadelphia Folk Festival with Jack Lawrence (although, for the life of me I don't know why this guy is there, you can hardly hear him playing and he doesn't contribute any special talent or anything of the sort). Anyway you don't need to watch all six and a half minutes of it, just wait through the introduction and listen to the song.

Now to be honest, and believe you me, I'm ashamed to admit this, but the first time I ever heard a recording of him doing this song, I really honestly thought that there was no way a blind man could be doing that. I mean, really, the guy went blind when he was one. Anyhow, what to note in this video: The standards of the blind performer. He's got a pretty serious face the whole time, he doesn't really move his head at all, he doesn't wave his shoulders, or slide around in his seat. These blind guys are, apparently, strictly in it for the love of the game. Something special to note (and I'm not sure if you can really see this in the video) is that Doc is playing the guitar with two fingers, two little old fingers, yep, you heard me. In fact, there's a really great exercise you might want to try: You could count them. Here, I'll help you through this. hold up your right hand and ball it into a fist. Now raise your thumb and index finger. There! You've got it! two fingers. Now try playing this song. with your eyes closed. Interestingly this method (only two fingers) was used by Merle Travis (granddaddy and namesake of Travis picking) who of course is the reason Doc named his one and only son, Merle, Merle. Whatshisface from Dire Straits also played that way, I hear. Anyway what Watson is doing on this song is next to impossible for pretty much anybody. Aside from getting all those chords right in the breakdown, picking a guitar (especially with all of those notes) at that speed for the entire song without messing up requires a loooot of stamina, or at least a few good forearm muscles.

Comparison anyone?
Let's take a look at this here video. I was going to show you a Chet Atkins video, but then I thought, maybe Leo Kottke, but I finally realized that I would just most like to dump on Michael Hedges (the other guy is Kottke, they're playing the themesong to Doodles)

I mean... for real?? who does this guy think he is?! The guy is moving his head more than a pigeon that's been half run over by a steamroller. What a total weiner. Anyway, in his defense, Hedges was really bitter about being labeled "new age" and often referred to his music as "Heavy Mental" and "Thrash Acoustic" (I can see why). Of course who wouldn't label some dude with hair down to his lower back playing electric harp guitar "new age". The man is basically a parody of himself. But maybe he's being sarcastic about what he's doing. So what? Look at how much he moves around. The man is moving his entire body, he's rocking and rolling left to right, front to back, he's bobbing his head (in at least two different manners, aside from watching his hand move up and down the neck, a weakness of many guitar players), and he's doing lots of fancy handwork with his picking hand. Doc Watson hardly moves his picking hand away from the guitar. Hedges is totally dramatic with how he's picking, he can clearly just feel it. It must be coming from within and he must let this room full of people know about it and hear his wonders! But I digress. You might want to note his outfit and how well groomed his fingers are (Watson and Davis both have big fat fingers). Also be sure to catch that thing he does with his left hand when the song is over. Thank you conductor Hedges.

Well, apparently if you want your prodigy guitar playing child to be good as well as unpretentious you need to blind them at birth. This way they'll sit stock still and play music for you, minus the theatrics that society will teach him are the privilege of the performer. But wait! Who's this? Why, it's Jose Feliciano playing "Flight of the Bumble Bee"

Turns out that I'm not actually as right as I wanted to be. Apparently, if you're a little bit younger you can still absorb theatrics into your routine. Just not as much. (As a sidenote, dig on his seeing eye dog resting behind the stool). As much as Feliciano rocks out, this is the only way he ever rocks out. He bobs his head back and forth pretty vigourously, but that's it. He bobs his head the same way every time, and he is still much less aware of himself as a physical performer.

Of course I'm just talking about guitar players here. I have no clue what I think about other instruments. Stevie Wonder moves around a good deal, but he's still kind of awkward. Maybe he just smiles a lot more than these dudes.

Monday, November 12, 2007

Girl Talk video

Here's a video someone posted at YouTube from the Girl Talk show post-shut down, presumably pre-tasering.

Charts - 11/12

1 BAND OF HORSES Cease To Begin SUB POP
2 GRIZZLY BEAR Friend [EP] Warp
3 BROKEN SOCIAL SCENE PRESENTS KEVIN DREW Spirit If... Arts And Crafts
4 IRON AND WINE The Shepherd's Dog SUB POP
5 JENS LEKMAN Night Falls Over Kortedala Secretly Canadian
6 TOKYO POLICE CLUB Smith [EP] Paper Bag
7 A PLACE TO BURY STRANGERS A Place To Bury Strangers Killer Pimp
8 SOUNDTRACK I'm Not There Columbia
9 TULLYCRAFT Every Scene Needs A Center Magic Marker
10 DE NOVO DAHL Shout [EP] Roadrunner
11 BRITISH SEA POWER Krankenhaus [EP] Rough Trade
12 FRANK TURNER Campfire Punk Rock Welcome Home
13 SEA WOLF Leaves In The River Dangerbird
14 LONEY, DEAR Sologne Rebel Group
15 G AND D Message Uni Versa Look
16 CAKE SALE Cake Sale Yep Roc
17 STARS In Our Bedroom After The War Arts And Crafts
18 OCTOPUS PROJECT Hello, Avalanche Peek-A-Boo
19 CUT OFF YOUR HANDS Shaky Hands [EP] Iamsound
20 GUNSHY There's No Love In This War Latest Flame
21 ICE PALACE Bright Leaf Left Speaker Phone
22 MGMT Oracular Spectacular Columbia
23 HAMMER NO MORE THE FINGERS Hammer No More The Fingers Power Team-Sharon Collins
24 SIOUXSIE Mantaray Decca
25 PRE Epic Fits Skin Graft
26 ELECTRIC SIX I Shall Exterminate Everything Around Me That Restricts Me From Being The Master Metropolis
27 SIBERIAN With Me Sonic Boom
28 ENON Grass Geysers... Carbon Clouds Touch And Go
29 BIRD AND THE BEE Please Clap Your Hands Blue Note
30 FRANTIC Audio And Murder Sinister Muse